Twenty metres below water, the oceanographer François Sarano came face to face with a five-and-a-half metre great white shark. Seduced by the gentle elegance of this majestic creature, Sarano experienced a profound sense of affinity with her as they swam side by side, shoulder to shoulder, eye to eye, cutting a single figure through the ocean depths. It was an experience which made him realise the depth of our ignorance of the lives of sharks, leading him to become a passionate advocate for their protection. Drawing on the latest scientific research on the biology and ethology of sharks and their exceptional characteristics, this book aims to break through the barrier of prejudice and to pay homage to their true nature. Representing a last vestige of wildness, their populations are nevertheless under threat – like so many species, they have been hunted and exploited by humans. Sarano argues for a change of mindset in which we lose ourselves in the world of the other, so that each living entity, human and non-human, can take their rightful place in the broader global ecosystem.

From the Sivens forest in France to the Hambach forest in Germany, from the Broadback forest in Canada to the rainforests of Borneo, something has shifted in these wild spaces over the last decade or two. People have begun to inhabit the forests, oppose the loggers and use their bodies as shields, motivated by the determination to resist the lethal ecosystem of commercial exploitation. Forests have become a battleground in the struggle between groups with fundamentally divergent aims and objectives.  Forests are made up of insurgents.  Jean-Baptiste Vidalou went to see some of these forests and meet those who are defending them: he discovered a completely different way of understanding the world, sharply opposed to the mentality of planners who see forests as just one more territory to be managed.  Here he recounts this encounter, relays what these forest peoples and struggles convey, not to offer any recipes or ready-made solutions to the crises of our times but to be the forest, like a force that grows, stem by stem, leaf by leaf, slowly becoming ungovernable.

Twenty metres below water, the oceanographer François Sarano came face to face with a five-and-a-half metre great white shark. Seduced by the gentle elegance of this majestic creature, Sarano experienced a profound sense of affinity with her as they swam side by side, shoulder to shoulder, eye to eye, cutting a single figure through the ocean depths. It was an experience which made him realise the depth of our ignorance of the lives of sharks, leading him to become a passionate advocate for their protection. Drawing on the latest scientific research on the biology and ethology of sharks and their exceptional characteristics, this book aims to break through the barrier of prejudice and to pay homage to their true nature. Representing a last vestige of wildness, their populations are nevertheless under threat – like so many species, they have been hunted and exploited by humans. Sarano argues for a change of mindset in which we lose ourselves in the world of the other, so that each living entity, human and non-human, can take their rightful place in the broader global ecosystem.

An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,� with “acceptance� as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning� (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss.  Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.

Here is a lively, vibrantly illustrated social and cultural history of the Aboriginal Australians, from their origins to the present day. The book explores the spiritual beliefs and Dreamings of the Indigenous people, their complex social structures and relationship with the land, and their struggle to survive the trials of colonization and forced assimilation. It also looks in depth at their massive cultural renaissance over the past four decades, with comprehensive coverage of the way in which Aboriginal art and literature have become flagships for Australian culture.

From the Sivens forest in France to the Hambach forest in Germany, from the Broadback forest in Canada to the rainforests of Borneo, something has shifted in these wild spaces over the last decade or two. People have begun to inhabit the forests, oppose the loggers and use their bodies as shields, motivated by the determination to resist the lethal ecosystem of commercial exploitation. Forests have become a battleground in the struggle between groups with fundamentally divergent aims and objectives.  Forests are made up of insurgents.  Jean-Baptiste Vidalou went to see some of these forests and meet those who are defending them: he discovered a completely different way of understanding the world, sharply opposed to the mentality of planners who see forests as just one more territory to be managed.  Here he recounts this encounter, relays what these forest peoples and struggles convey, not to offer any recipes or ready-made solutions to the crises of our times but to be the forest, like a force that grows, stem by stem, leaf by leaf, slowly becoming ungovernable.

How does the work of influential theorist Bruno Latour offer a fresh angle on the practices and purposes of the humanities? In recent years, defenses of the humanities have tended to argue along predictable lines: the humanities foster empathy, the humanities encourage critical thinking, the humanities offer a counterweight to the cold calculations of the natural and social sciences. The essays in Latour and the Humanities take a different approach. Exploring the relevance of theorist Bruno Latour's work, they argue for attachments and entanglements between the humanities and the sciences while looking closely at the interests, institutions, and intellectual projects that shape the humanities within and beyond the university. The collection, which is written by a group of highly distinguished scholars from around the world, is divided into two sections. In the first part, authors engage in depth with Latour's work while also rethinking the ties between the humanities and the sciences. Essays argue for greater attention to the nonhuman world, the urgency of climate change, and more nuanced views of universities as institutions. The second half of the volume contains essays that reflect on Latour's influence on the practices of specific disciplines, including art, the digital humanities, film studies, and political theory. Inspiring conversation about the relevance of actor-network-theory for research and teaching in the humanities, Latour and the Humanities offers a substantial introduction to Latour's work while discussing the humanities without falling back on the genres of either the sermon or the jeremiad. This volume will be of interest to all those searching for fresh perspectives on the value and importance of humanistic disciplines and thought. Contributors: David J. Alworth, Anders Blok, Claudia Breger, Dipesh Chakrabarty, Yves Citton, Steven Connor, Gerard de Vries, Simon During, Rita Felski, Francis Halsall, Graham Harman, Antoine Hennion, Casper Bruun Jensen, Bruno Latour, Heather Love, Patrice Maniglier, Stephen Muecke, Barbara Herrnstein Smith, Nigel Thrift, Michael Witmore

This volume invokes the "postcolonial contemporary" in order to recognize and reflect upon the postcolonial character of the contemporary conjuncture, as well as to inquire into whether postcolonial criticism can adequately grasp it. Neither simply for nor against postcolonialism, the book seeks to cut across this false alternative and to think with postcolonial theory about political contemporaneity. Many of the most influential frameworks of postcolonial theory were developed from the 1970s to 1990s, during what we may now recognize as the twilight of the postwar period. If forms of capitalist imperialism are entering into new configurations of neoliberal privatization, wars-without-end, xenophobic nationalism, and unsustainable extraction, what aspects of postcolonial inquiry must be reworked or revised in order to grasp our political present? In twelve essays that draw from a number of disciplines-history, anthropology, literature, geography, indigenous studies- and regional locations (the Black Atlantic, South Africa, South Asia, East Asia, Australia, Argentina) The Postcolonial Contemporary seeks to move beyond the habitual oppositions that have often characterized the field: universal vs. particular; Marxism vs. postcolonialism; politics vs. culture. The essays reckon with new and persisting postcolonial predicaments, doing so under four interrelated analytics: postcolonial temporality; deprovincializing the global south; beyond Marxism versus postcolonial studies; and postcolonial spatiality and new political imaginaries. From the book's powerful and substantial Introduction through its dozen compelling chapters, The Postcolonial Contemporary will be a landmark volume for reassessing a crucial critical framework for today's world. Contributors: Sadia Abbas, Anthony C. Alessandrini, Sharad Chari, Carlos A. Forment, Vinay Gidwani, Peter Hitchcock, Laurie Lambert, Stephen Muecke, Anupama Rao, Adam Spanos, Jini Kim Watson, Gary Wilder

An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the "stages of grief," with "acceptance" as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to "complete mourning" (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. Despret's unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.

How does the work of influential theorist Bruno Latour offer a fresh angle on the practices and purposes of the humanities? In recent years, defenses of the humanities have tended to argue along predictable lines: the humanities foster empathy, the humanities encourage critical thinking, the humanities offer a counterweight to the cold calculations of the natural and social sciences. The essays in Latour and the Humanities take a different approach. Exploring the relevance of theorist Bruno Latour's work, they argue for attachments and entanglements between the humanities and the sciences while looking closely at the interests, institutions, and intellectual projects that shape the humanities within and beyond the university. The collection, which is written by a group of highly distinguished scholars from around the world, is divided into two sections. In the first part, authors engage in depth with Latour's work while also rethinking the ties between the humanities and the sciences. Essays argue for greater attention to the nonhuman world, the urgency of climate change, and more nuanced views of universities as institutions. The second half of the volume contains essays that reflect on Latour's influence on the practices of specific disciplines, including art, the digital humanities, film studies, and political theory. Inspiring conversation about the relevance of actor-network-theory for research and teaching in the humanities, Latour and the Humanities offers a substantial introduction to Latour's work while discussing the humanities without falling back on the genres of either the sermon or the jeremiad. This volume will be of interest to all those searching for fresh perspectives on the value and importance of humanistic disciplines and thought. Contributors: David J. Alworth, Anders Blok, Claudia Breger, Dipesh Chakrabarty, Yves Citton, Steven Connor, Gerard de Vries, Simon During, Rita Felski, Francis Halsall, Graham Harman, Antoine Hennion, Casper Bruun Jensen, Bruno Latour, Heather Love, Patrice Maniglier, Stephen Muecke, Barbara Herrnstein Smith, Nigel Thrift, Michael Witmore

This volume invokes the "postcolonial contemporary" in order to recognize and reflect upon the postcolonial character of the contemporary conjuncture, as well as to inquire into whether postcolonial criticism can adequately grasp it. Neither simply for nor against postcolonialism, the book seeks to cut across this false alternative and to think with postcolonial theory about political contemporaneity. Many of the most influential frameworks of postcolonial theory were developed from the 1970s to 1990s, during what we may now recognize as the twilight of the postwar period. If forms of capitalist imperialism are entering into new configurations of neoliberal privatization, wars-without-end, xenophobic nationalism, and unsustainable extraction, what aspects of postcolonial inquiry must be reworked or revised in order to grasp our political present? In twelve essays that draw from a number of disciplines-history, anthropology, literature, geography, indigenous studies- and regional locations (the Black Atlantic, South Africa, South Asia, East Asia, Australia, Argentina) The Postcolonial Contemporary seeks to move beyond the habitual oppositions that have often characterized the field: universal vs. particular; Marxism vs. postcolonialism; politics vs. culture. The essays reckon with new and persisting postcolonial predicaments, doing so under four interrelated analytics: postcolonial temporality; deprovincializing the global south; beyond Marxism versus postcolonial studies; and postcolonial spatiality and new political imaginaries. From the book's powerful and substantial Introduction through its dozen compelling chapters, The Postcolonial Contemporary will be a landmark volume for reassessing a crucial critical framework for today's world. Contributors: Sadia Abbas, Anthony C. Alessandrini, Sharad Chari, Carlos A. Forment, Vinay Gidwani, Peter Hitchcock, Laurie Lambert, Stephen Muecke, Anupama Rao, Adam Spanos, Jini Kim Watson, Gary Wilder

In North-West Australia, between 2009 and 2013, a major Indigenous-environmentalist alliance waged a successful campaign to stop a huge industrial development, a $45 billion liquefied gas plant proposed by Woodside and its partners. The Western Australian government and key Indigenous institutions also pushed hard for this, making the custodians of the Country, the Goolarabooloo, an embattled minority. This experimental ethnography documents the Goolarabooloo's knowledge of Country, their long history of struggle for survival, and the alliances that formed to support them. Written in a fictocritical style, it introduces a new 'multirealist' kind of analysis that focuses on institutions (Indigenous or European), their spheres of influence, and how they organised to stay alive as alliances shifted and changed.

As a genre that confounds the distinction between fiction and non-fiction, fictocriticism continues to gain currency. It solves a problem for researchers and writers who do not wish to be held to that somewhat artificial division, and who consider their research methods necessarily to include the stylistic experiments that show their research and thought processes. Research, knowledge of the world, that continues to be 'written up', 'after the fact' in the usual academic genres, has a tendency to re-inscribe the status quo. The world stays the way it is; change, surprise and experiment elude the writer. Stephen Muecke, one of the originators of fictocritical writing, presents a selection of his best essays in this innovative genre. In doing so he offers a rare and important theorization of the potential of speculative methods across disciplines including Literary Studies, Philosophy, Anthropology, Geography, and Science and Technology Studies.

As a genre that confounds the distinction between fiction and non-fiction, fictocriticism continues to gain currency. It solves a problem for researchers and writers who do not wish to be held to that somewhat artificial division, and who consider their research methods necessarily to include the stylistic experiments that show their research and thought processes. Research, knowledge of the world, that continues to be 'written up', 'after the fact' in the usual academic genres, has a tendency to re-inscribe the status quo. The world stays the way it is; change, surprise and experiment elude the writer. Stephen Muecke, one of the originators of fictocritical writing, presents a selection of his best essays in this innovative genre. In doing so he offers a rare and important theorization of the potential of speculative methods across disciplines including Literary Studies, Philosophy, Anthropology, Geography, and Science and Technology Studies.

In North-West Australia, between 2009 and 2013, a major Indigenous-environmentalist alliance waged a successful campaign to stop a huge industrial development, a $45 billion liquefied gas plant proposed by Woodside and its partners. The Western Australian government and key Indigenous institutions also pushed hard for this, making the custodians of the Country, the Goolarabooloo, an embattled minority. This experimental ethnography documents the Goolarabooloo's knowledge of Country, their long history of struggle for survival, and the alliances that formed to support them. Written in a fictocritical style, it introduces a new 'multirealist' kind of analysis that focuses on institutions (Indigenous or European), their spheres of influence, and how they organised to stay alive as alliances shifted and changed.

How might we think and talk about indigenous philosophy? Why has Aboriginal knowledge not been given the status of philosophical knowledge, but treated by whites rather as culture or history? There is a quarrel about whose antiquity is at the foundation of Australian culture, and why contemporary forms of Aboriginality are marginal to Australia's modernity. These are the starting points for the essays contained in Stephen Muecke's original and challenging book.

As they set off for Madagascar in 2003, photographer Max Pam and writer Stephen Muecke adopted as their guiding principle the idea of contingency--central to which is the conscious embrace of risk and chance. In doing so, they established a new aesthetic in which image and text are inextricably linked to the notion of possibility. This stunning collection of photos and essays is the result of their vision, collectively illustrating the beauty and wisdom on offer in one of the world's poorest nations. A contribution to the wave of new ethnography exemplified by Michael Taussig and Kathleen Stewart, these encounters with events, images, and experimental writing dramatize thoughts and feelings in the ongoing construction of place.